{"id":3088,"date":"1999-06-13T11:38:27","date_gmt":"1999-06-13T10:38:27","guid":{"rendered":"http:\/\/rakelhelmsdal.info\/wordpress\/?p=3088"},"modified":"2015-05-22T12:20:20","modified_gmt":"2015-05-22T11:20:20","slug":"pierrot-lunaire-i-nordurlandahusinum","status":"publish","type":"post","link":"https:\/\/rakelhelmsdal.info\/wordpress\/pierrot-lunaire-i-nordurlandahusinum\/","title":{"rendered":"Pierrot Lunaire \u00ed Nor\u00f0urlandah\u00fasinum"},"content":{"rendered":"

\"03lunaire2\"<\/a><\/p>\n

Grein \u00ed Vi\u00f0skeranum (Dimmal\u00e6tting) juni 1999. B\u00edl\u00f8gd av Aldub\u00e1runi.<\/span><\/p>\n

Drukkin av m\u00e1nanum<\/strong><\/p>\n

Ta\u00f0 v\u00edn, i\u00f0 bert eyga drekkur<\/em>
\nstreymar um n\u00e1ttina av m\u00e1nanum<\/em>
\nEin fl\u00f3\u00f0alda druknar ta\u00f0 kvirru havsbr\u00fanna<\/em>
\ngirndir streyma \u00f3endaliga s\u00f8tt og r\u00e6\u00f0uliga<\/em><\/p>\n

(Brot \u00far tesktinum “Pierrot Lunaire”, eftir Albert Giraud. (Leyslig t\u00fd\u00f0ing.))<\/span><\/p>\n

Tann 23. og 24. juni f\u00e1a f\u00f8royingar fyri 1. fer\u00f0 m\u00f8guleikan at hoyra t\u00f3naverki\u00f0 \u201cPierrot Lunaire\u201d eftir eyskurr\u00edkska t\u00f3naskaldinum Arnold Sch\u00f6nberg. Ta\u00f0 er\u00a0 f\u00f8royski t\u00f3nleikab\u00f3lkurin Aldub\u00e1ran, sum framf\u00f8rir \u00ed Nor\u00f0urlandah\u00fasinum \u00ed samband vi\u00f0 \u00e1rligu klassiku t\u00f3nleikastevnuna Summart\u00f3nar.<\/p>\n

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Arnold Sch\u00f6nberg<\/strong><\/p>\n

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Arnold Sch\u00f6nberg<\/p><\/div>\n

Arnold Sch\u00f6nberg var\u00f0 f\u00f8ddur 13. september \u00ed 1874, sonur handilsmannin Samuel Sch\u00f6nberg og konu hansara Paulinu.<\/p>\n

\u00c1tta \u00e1ra gamal f\u00f3r hann at l\u00e6ra seg violin sj\u00e1lvur, og byrja\u00f0i skj\u00f3tt eisini at skriva t\u00f3nleik, men foreldur hansara hugsa\u00f0u onki um serligu g\u00e1vur hansara, so ta\u00f0 var ikki fyrr enn hann var\u00f0 17 \u00e1ra gamal, at hann fekk r\u00e6ttiliga undiv\u00edsing.<\/p>\n

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Fyrstu verkini<\/strong><\/p>\n

23 \u00e1ra gamal f\u00f3r hann av \u00e1lvara at komponera og \u00ed 1899 skriva\u00f0i hann kenda verki\u00f0 “Verkl\u00e4rte Nacht\u201d, har hann fyrstu fer\u00f0 pilka\u00f0i vi\u00f0 vanligu t\u00f3naskipanina. H\u00f3ast hetta t\u00f3naverki\u00f0 \u00ed okkara oyrum ikki tykist so modernistiskt, lj\u00f3\u00f0a\u00f0i ta\u00f0 kortini \u00f3vanligt \u00ed oyrunum \u00e1 samt\u00ed\u00f0arf\u00f3lki hansara, t\u00e1 ta\u00f0 1. fer\u00f0 var\u00f0 framf\u00f8rt \u00ed 1902, og var\u00f0 ikki serliga v\u00e6l m\u00f3ttiki\u00f0.<\/p>\n

\u00cd 1901 giftist hann vi\u00f0 Mathilde Zemlinsky og tey fluttu til Berlin, har hann fekk arbei\u00f0i sum orkesturlei\u00f0ari. Har komponera\u00f0i hann m.a. “Brettl-Lieder” sum var eftir satiriskum tekstum av samt\u00ed\u00f0ar yrkjarum.<\/p>\n

Berlin fekk st\u00f3ran t\u00fddning fyri Sch\u00f6nberg. Richard Strauss vi\u00f0m\u00e6lti, at hann skuldi f\u00e1a tann kenda Liszt-stu\u00f0ulin, og eisini gekk hann \u00e1 Stern konservatriinum. \u00c1\u00f0renn hann \u00ed 1903 flutti aftur til Wien, skriva\u00f0i han symfonisku yrkingina “Pelleas und Melisande”, har vanligu m\u00f8rkini \u00ed t\u00f3naskipanini v\u00f3ru n\u00f3gv v\u00ed\u00f0ka.<\/p>\n

Wien f\u00f3r hann at undriv\u00edsa og millum privatn\u00e6mingar hansara v\u00f3ru m.a. menn sum Alban Berg og Anton von Webern, i\u00f0 seinni gj\u00f8rdust kendir t\u00f3nasmi\u00f0ir.<\/p>\n

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T\u00f3nleikarlig g\u00f8la<\/strong><\/p>\n

1906 er eitt av teimum n\u00f3gvu \u00e1rst\u00f8lunum, sum kunnu metast at hava veri\u00f0 sl\u00f3\u00f0br\u00f3tandi fyri n\u00fdggjari t\u00f3nleik. T\u00f3nleikurin hj\u00e1 Sch\u00f6nberg var n\u00fa farin so langt \u00ed atonalitetinum, at hann skapti eitt satt mentanarsjokk. T\u00e1 1. og 2. str\u00fakikvartett v\u00f3r\u00f0u framf\u00f8rdar, skapti ta\u00f0 einna r\u00e6ttiliga g\u00f8lu, og har\u00f0ligar \u00e1brei\u00f0slur v\u00f3ru at hoyra fr\u00e1 b\u00e6\u00f0i \u00e1hoyrarum og fj\u00f8lmi\u00f0lunum. T\u00e1 skriva\u00f0i Sch\u00f6nberg:<\/p>\n

“Smakkurin hj\u00e1 \u00e1hoyrarunum \u00e1virkar ongant\u00ed\u00f0 ein veruliga listarmann, t\u00ed hann kann ikki skapa anna\u00f0 enn ta\u00f0, pers\u00f3nligheit og uppaling hansara noy\u00f0ir hann til. T\u00edverri halda summi av og \u00e1, at tey kunnu gera, sum \u00e1sko\u00f0arin ynskir ta\u00f0, og at hesin stokkuti vi\u00f0gangurin harafturat loysir seg, men koma tey at gjalda toll av svikinum. T\u00ed einum, sum ikki onkursvegna ber lyndi \u00e1sko\u00f0aranna innan \u00ed s\u00e6r, fer ta\u00f0 ongant\u00ed\u00f0 at eydnast veruliga at vera d\u00e1mdur. Falsi\u00f0 ver\u00f0ur skj\u00f3tt avd\u00faka og sviki\u00f0 er t\u00ed n\u00e6stan alt\u00ed\u00f0 til f\u00e1n\u00fdtis.”<\/p>\n

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F\u00edggjarligir trupuleikar\"\"<\/strong><\/p>\n

Uttan at geva s\u00e6r v\u00f3n um at nakran \u00e1hoyraraskar\u00f0a skriva\u00f0i hann n\u00e6stu \u00e1rini opruna “Die gluckliche Hand” og fleiri onnur verk. Ta\u00f0 var serliga ekspressionisman sum uppt\u00f3k hann, eins og \u00ed teimum n\u00f3gvu m\u00e1lingunum hann m\u00e1la\u00f0i hesi \u00e1rini. \u00cd 1910 hev\u00f0i hann fyrst m\u00e1lningaframs\u00fdning s\u00edna \u00ed einum b\u00f3kasavni\u00f0 \u00ed Wien, men eins og vi\u00f0 t\u00f3nleikinum, var l\u00edtil \u00e1hugi millum \u00e1sko\u00f0ararnar. Heldur ikki royndir hansara at bl\u00edva professari \u00e1 konservatoriinum \u00ed Wien eydna\u00f0ust, og peningaliga st\u00f3\u00f0 illa til hj\u00e1 honum.<\/p>\n

\n

Framgongd<\/strong><\/p>\n

\"\"

Arnold & Mathilde Sch\u00f6nberg<\/p><\/div>\n

\u00cd 1913 fluttu hann vi\u00f0 konu og b\u00f8rnum aftur til Berlin, har hann fekk lektarastarv \u00e1 Stern konservatoriinum. Her var ta\u00f0, at hann skriva\u00f0i “Pierrot Lunaire”, eftir einum tekst av Albert Giraud, sum Otto Erich Hartleben hev\u00f0i umsett til t\u00fdskt. Undir framf\u00f8rslunum av “Pierrot”, hitti Sch\u00f6nberg Igor Strawinsky og Giacomo Puccini, i\u00f0 b\u00e1\u00f0ir h\u00f8vdu n\u00f3gv gott at siga um verki\u00f0.<\/p>\n

Stutt \u00e1\u00f0renn Sch\u00f6nberg flutti til Berlin hev\u00f0i hann skriva\u00f0 oratori\u00f0 “Guerrelieder”, ein st\u00f3r kantata fyri solor\u00f8ddir, k\u00f3r og st\u00f3rt orkestur yvir yrkingar hj\u00e1 Jens Peter Jacobsen. T\u00e1 hetta verki\u00f0 var\u00f0 framf\u00f8rt \u00ed Wien \u00ed 1913, fekk ta\u00f0 sera g\u00f3\u00f0a undirt\u00f8ku b\u00e6\u00f0i millum \u00e1hoyrara og \u00ed fj\u00f8lmi\u00f0lunum, og somulei\u00f0is, t\u00e1 ta\u00f0 var framf\u00f8rt \u00e1ri\u00f0 eftir \u00ed Onglandi og Hollandi.<\/p>\n

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1. heimsbardagi<\/strong><\/p>\n

Men hann fekk kortini ikki st\u00f3ra gle\u00f0i av hesi\u00a0 g\u00f3\u00f0u m\u00f3tt\u00f8kuni, t\u00ed \u00ed 1915 kom 1. heimsbardagi, og Sch\u00f6nberg fekk l\u00edti\u00f0 og onki arbeitt kr\u00edgs\u00e1rini. Hann var sendur \u00e1 officer sk\u00fala, og h\u00f3ast hann \u00ed 1916 slapp undan her\u00f0na\u00f0art\u00e6nastuni, var hann aftur innkalla\u00f0ur \u00ed 1917 til at sp\u00e6la \u00ed her\u00f0na\u00f0arorkestrinum. \u00cd hesum \u00e1rum arbeiddi hann upp\u00e1 oratorii\u00f0 “J\u00e1kups stigi”, eitt \u00e1tr\u00fanar\u00f0arligt verk, sum hann ongant\u00ed\u00f0 skriva\u00f0i li\u00f0ugt.<\/p>\n

Aftan\u00e1 kr\u00edggi\u00f0 setti Sch\u00f6nberg \u00e1 stovn “Verein f\u00fcr musikalische Privatauff\u00fcrungen” (Felag fyri \u00f3almennar t\u00f3nleikaframf\u00f8rslur), sum var eitt forum fyri n\u00fdm\u00f3tans t\u00f3nleik. M\u00e1li\u00f0 var at skapa t\u00e6r bestu umst\u00f8\u00f0urnar at framf\u00f8ra samt\u00ed\u00f0art\u00f3nleik. Verk av Sch\u00f6nberg, Berg og Webern og eisini \u00f8\u00f0rum t\u00f3nasmi\u00f0jum v\u00f3r\u00f0u framf\u00f8rd \u00ed \u00f3almennum samkomun. T\u00e6r tj\u00f3\u00f0skaparligu gr\u00f8virnar, sum heimsbardagin hev\u00f0i grivi\u00f0 millum londini, v\u00f3ru solei\u00f0is javna\u00f0ar, \u00ed hvussu so er \u00e1 listarliga \u00f8kinum, av teimum altj\u00f3\u00f0a sambondunum.<\/p>\n

\"\"<\/p>\n

T\u00f3lv t\u00f3na t\u00f3nleikurin<\/strong><\/p>\n

Fr\u00e1 1920 til 1923 skapti Sch\u00f6nberg ein n\u00fdggjan h\u00e1tt at skriva t\u00f3nleik. Hann var grunda\u00f0ur \u00e1 t\u00f3lv t\u00f3nar \u00ed t\u00ed kromatiska t\u00f3nastiganum. Tann sokalla\u00f0i “t\u00f3lv-t\u00f3na t\u00f3nleikurin” var bygdur \u00e1 ta\u00f0 meginregluna, at hv\u00f8r t\u00f3ni \u00ed hesi t\u00f3lv-t\u00f3na r\u00f8\u00f0ini bara kann ver\u00f0a endurtikin, t\u00e1 allir hinir ellivu t\u00f3narnir eru n\u00fdttir.<\/p>\n

Hetta kann tykjast \u00f3gvuliga avmarkandi, men av t\u00ed at til ber at n\u00fdta speglingar, vi\u00f0vendingar og umvendingar av ymsum slagi\u00f0, ber til at gera upp til 44 r\u00f8\u00f0ir burtur einari t\u00f3lv-t\u00f3na r\u00f8\u00f0.<\/p>\n

Me\u00f0an Sch\u00f6nberg arbeiddi vi\u00f0 T\u00f3lv-t\u00f3na t\u00f3nleikinum, arbeiddu eisini tveir a\u00f0rir menn, eysturr\u00edkararnir Joseph M. Hauer og Fritz H. Klein, vi\u00f0 l\u00edknandi t\u00f3nleikaroyndum, allir uttan at vita av hv\u00f8rjum \u00f8\u00f0rum. T\u00f3 er pr\u00f3gva, at Sch\u00f6nberg visti okkurt sum arbei\u00f0i hj\u00e1 Klein, men \u201cgloymdi\u201d at nevna ta\u00f0 \u00ed s\u00ednum teorium.<\/p>\n

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Vi\u00f0urkenning<\/strong><\/p>\n

\u00cd 1923 doy\u00f0i kona hansara Mathilde, og Sch\u00f6nberg skriva\u00f0i t\u00e1 tekstin til eitt requiem, eina dey\u00f0smessu.<\/p>\n

Sch\u00f6nberg byrja\u00f0i n\u00fa at f\u00e1a altj\u00f3\u00f0a vi\u00f0urkenning, serliga aftan\u00e1 framf\u00f8rslurnar av ein-akt leikunum \u201cErwartung\u201d og \u201cDie gluckliche Hand\u201d og konsertir \u00e1 t\u00f3nleikafestivalinum \u00ed Donaueschingen. Og hann fekk starv sum l\u00e6rari \u00ed \u201cmaster class\u201d \u00ed t\u00f3nasm\u00ed\u00f0i \u00ed listaakademinum \u00ed Berlin.<\/p>\n

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Gertrud og Arnold Sch\u00f6nberg<\/p><\/div>\n

\u00cd 1924 giftist hann uppaftur vi\u00f0 Gertrude Kolisch, sum hann m.a. arbeiddi saman vi\u00f0 um ta\u00f0 satirisku operaina \u201cVon heute auf morgen\u201d, sum hon skriva\u00f0i tekstin til undir dulnevninum Max Blonda.<\/p>\n

\u00datlegd<\/strong><\/p>\n

T\u00e1 Hitler t\u00f3k vi\u00f0 valdi\u00f0 \u00ed 1933, var\u00f0 Sch\u00f6nberg koyrdur av akademinum \u00ed Berlin, og hann og Gertrude og d\u00f3tturin Nuria f\u00f3ru \u00ed \u00fatlegd til Par\u00eds, har hann skifti aftur til ta\u00f0 j\u00f8disku tr\u00fanna, sum hann var farin fr\u00e1 \u00ed 1898, listam\u00e1larin Marc Chagall var vitni.<\/p>\n

Stutt eftir fluttu tey v\u00ed\u00f0ari til USA, og \u00ed 1934 b\u00fasettist hann \u00ed Los Angeles, har hann hev\u00f0i privata undirv\u00edsing og eisini undirv\u00edsti \u00e1 University of Southern California.<\/p>\n

Amerikanskur statsborgari<\/strong><\/p>\n

Hann skriva\u00f0i fleiri t\u00f3naverk \u00ed USA, m.a. \u201cKol Nidre\u201d, ein konsert fyri klaver og orkestur, sum var ein sonn tr\u00fa\u00f0arj\u00e1ttan til j\u00f8disku tr\u00fanna, og \u201cOde \u00e0 Napoleon Bonaparte\u201d (tekstur eftir Lord Byron), ein har\u00f0lig \u00e1k\u00e6ra m\u00f3ti einar\u00e6\u00f0i og har\u00f0r\u00e6\u00f0i, har hann samanbar Napoleon vi\u00f0 Hitler.<\/p>\n

\u00cd 1940 gj\u00f8rdist hann amerikanskur statsborgari, og hann vendi ongant\u00ed\u00f0 heim aftur til Europa, heldur ikki eftir at heimsbardagin var av, og Wien gj\u00f8rdi hann til hei\u00f0ursborgara.<\/p>\n

F\u00edggjarliga st\u00f8\u00f0a hansara var ongant\u00ed\u00f0 g\u00f3\u00f0, og sj\u00e1lvt eftir pensi\u00f3nsaldur, noyddist hann at halda \u00e1 at undirv\u00edsa. \u00cd 1946 fekk hann ein ringan hjartatilbur\u00f0, og me\u00f0an hann kom fyri seg aftur, skriva\u00f0i hann \u201cSt\u00fakara trio\u201d, sum var ein gj\u00f8gnumgongd av sj\u00faku hansara. Kantatan \u201cEin \u00dcberlebender aus Warschau\u201d, skriva\u00f0i hann \u00ed 1947 um s\u00edna r\u00e6\u00f0slu, t\u00e1 ta\u00f0 kom fram, hvat var hent \u00ed t\u00fdsku og eysturr\u00edsku t\u00fdningarlegunum undir kr\u00edgnum, og kann hetta verki\u00f0 skiljast sum sj\u00e1lvs\u00e6vis\u00f8ga.<\/p>\n

Seinastu \u00e1rini<\/strong><\/p>\n

\"\"\u00cd 1949 t\u00f3k eitt tjak seg upp millum Sch\u00f6nberg og rith\u00f8vundan Thomas Mann. Mann grei\u00f0ir \u00ed skalds\u00f8gu s\u00edni \u201cDr. Faustus\u201d fr\u00e1 einum kompositi\u00f3nsh\u00e1tti vi\u00f0 t\u00f3lv t\u00f3num eftir einum \u00edmynda\u00f0um t\u00f3nasmi\u00f0ji, Adrian Leverk\u00fchn. Sch\u00f6nberg kendi, at hetta gekk ov n\u00e6r skapanarverki hansara, og at Mann t\u00f3k s\u00e6r \u00e6runa av n\u00f8krum, sum hann ikki \u00e1tti, h\u00f3ast ta\u00f0, at Mann \u00ed foror\u00f0inum til b\u00f3kina, nevnir Sch\u00f6nberg. Tr\u00e6tan var ikki av fyrr enn \u00ed 1950.<\/p>\n

Sch\u00f6nberg hev\u00f0i hesa vanligu p\u00e1tr\u00fagv um at 13 er eitt \u00f3eydnutal. Ta\u00f0 sigst, at hann undir seinastu sj\u00fakralegu s\u00edni, skal hava sagt, at um hann kl\u00e1ra\u00f0i seg yvirum tann 13., so f\u00f3r hann at gerast fr\u00edskur aftur. Hann doy\u00f0i 13. juli 1951 , 13 minuttir \u00ed midn\u00e1tt. Hann gj\u00f8rdist 77 \u00e1ra gamal, og var til ta\u00f0 seinasta \u00f3gvuliga grei\u00f0ur yvir, at: \u201dta\u00f0 er ikki vantandi, at f\u00f3lk fara at skilja m\u00edtt arbei\u00f0i til fulnar fyrr enn um mong \u00e1r.\u201d<\/p>\n

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\"\"<\/p>\n

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Pierrot Lunarie<\/strong><\/p>\n

T\u00f3naveri\u00f0 \u201cPierrot Lunarie\u201d er kendasta verki\u00f0 hj\u00e1 Sch\u00f6nberg. Ta\u00f0 er skriva yvir eina langa yrking eftir Albert Giraud, i\u00f0 er skriva yvir klassisku s\u00f8guna um Pierrot og Colombinu, i\u00f0 hevur s\u00edn uppruna \u00ed comedia del atre-sj\u00f3nleiki.<\/p>\n

Ta\u00f0 var tann sera t\u00f3nan\u00e6ma sj\u00f3nleikakvinnan Albetine Zehme, sum b\u00edleg\u00f0i hetta verk fr\u00e1 Sch\u00f6nberg. Hann var sera \u00e1huga\u00f0ur \u00ed hesari b\u00edlegging, t\u00ed ta\u00f0 gav honum ein n\u00fdggjan m\u00f8guleika at arbei\u00f0a vi\u00f0 sambandinum millum t\u00f3nleik og a\u00f0rar listagreinir, t.d. m\u00e1lningalist og yrkingar, naka\u00f0, i\u00f0 hev\u00f0i hansara st\u00f3ra \u00e1huga.<\/p>\n

Ta\u00f0 semerkta vi\u00f0 \u201cPierrot\u201d er at teksturin ikki ver\u00f0ur r\u00e6ttliga sungin, og heldur ikki er ta\u00f0 upplestur av yrkingum. Sch\u00f6nberg fann ein n\u00fdggja framf\u00f8rsluh\u00e1tt, kalla\u00f0ur \u201csprechstimme\u201d, talusangur, har sj\u00f3nleikarin skal halda seg sera t\u00e6tt at rytmuni, eins og hann syngur, h\u00f3ast bert heilt f\u00e1ir t\u00f3nar veruliga vera sungnir. \u00c6tlanin er ikki, at sj\u00f3nleikarin skal tulka talusagnin eftir innihaldinum \u00ed tekstinum, men bert eftir t\u00f3nleikinum, t\u00ed at t\u00f3nleikurin er skriva\u00f0ur solei\u00f0is, at ta\u00f0 sum t\u00f3nasmi\u00f0urin helt hava t\u00fddning \u00ed tekstinum, kemur fram t\u00f3nleikaliga.<\/p>\n

Verki\u00f0 er skriva\u00f0 fyri klaver, piccolo-floytu, klarinett, violin og bratch og ein sj\u00f3nleikara. Fyrsta framf\u00f8rslan var \u00ed 1912, og ta\u00f0 var Albetine Zehme sj\u00e1lv, sum framf\u00f8rdi.<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Grein \u00ed Vi\u00f0skeranum (Dimmal\u00e6tting) juni 1999. B\u00edl\u00f8gd av Aldub\u00e1runi. Drukkin av m\u00e1nanum Ta\u00f0 v\u00edn, i\u00f0 bert eyga drekkur streymar um n\u00e1ttina av m\u00e1nanum Ein fl\u00f3\u00f0alda druknar ta\u00f0 kvirru havsbr\u00fanna girndir… Les meira \/ Continue reading → <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":3090,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_regular_price":[],"currency_symbol":[],"footnotes":""},"categories":[301],"tags":[473,474],"class_list":["post-3088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ummaeli-og-umtala","tag-arnold-schonberg","tag-pierrot-lunarie"],"post_slider_layout_featured_media_urls":{"thumbnail":["https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2-150x150.jpg",150,150,true],"post_slider_layout_landscape_large":["https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2.jpg",460,344,false],"post_slider_layout_portrait_large":["https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2.jpg",460,344,false],"post_slider_layout_square_large":["https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2.jpg",460,344,false],"post_slider_layout_landscape":["https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2.jpg",460,344,false],"post_slider_layout_portrait":["https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2.jpg",460,344,false],"post_slider_layout_square":["https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2.jpg",460,344,false],"full":["https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2.jpg",460,344,false]},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-content\/uploads\/2015\/05\/03lunaire2.jpg","_links":{"self":[{"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/posts\/3088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/comments?post=3088"}],"version-history":[{"count":1,"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/posts\/3088\/revisions"}],"predecessor-version":[{"id":3091,"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/posts\/3088\/revisions\/3091"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/media\/3090"}],"wp:attachment":[{"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/media?parent=3088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/categories?post=3088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rakelhelmsdal.info\/wordpress\/wp-json\/wp\/v2\/tags?post=3088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}